Draping: The Complete Course // Review
A month or so ago a large, heavy, mysterious package showed up on my doorstep. And, of course, being the trusting, curious sort, I tore right into it without hesitation. You would not believe my surprise when I saw it was Draping: The Complete Course by Karolyn Kiisel from Laurence King Publishing. After flipping through each and every one of the 320 pages, I sent an email off to the publishers that had way too many exclamation points. Seriously. I think each and every sentence contained at least one – that’s how excited I was about this book. (And, that’s how best to impress publishers – overuse of exclamation points.)
The first thing I noticed was the heft. This book is not your average sewing book. It really feels more like a text book. But, if you’re going to call a book “The Complete Course”, in my mind it better resemble one of my chemistry text books from undergrad. Well, at least from the outside. On the inside I’d appreciate a lot more diagrams and figures than my old chemistry texts had. And, don’t worry, that’s exactly the approach this book takes. Peek for yourself at a sample of the image-filled interior of the book:
These two pages (click image – and then you may have to click it again – to embiggen if desired) walk you through a bit about marking and draping the grains. The upper left hand box describes the two methods used in this book to mark grainlines: with a pencil or chalk line or by thread tracing. There are even detailed instructions on how to thread trace. I like how Karolyn suggests using both a line of pins and a ruler to help keep the line straight during the actual act of tracing. And, if you need more guidance, a little DVD icon next to the text (I just realized those DVD icons are not in the images I was sent for this review – trust me that they’re in the actual book!) tells you that you can watch a lesson on thread tracing using the accompanying DVD. Yes, you read right. This book also comes with a DVD. So, you not only get a text book, but you also get a classroom video. Now we’re really talking about a complete course here.
The lesson on the right is all about understanding draping along the lengthwise, crosswise, and bias grain lines. Notice how the three identical pieces of fabric fall differently based on which grain line is vertical. Karolyn suggests you pin all three grain-marked muslins up at the same time, one for each type of grain, so that you can compare and contrast them together. Karolyn also includes a suggestion on how to pin (see upper right box) – namely, at an angle tilting upward. In addition, for heavier fabrics you may need to use two pins in a V to securely anchor the fabric to the dress form while draping.
These next two pages (again, click image to embiggen if desired) are all about draping a bias circle skirt with an Audrey Hepburn image as inspiration. I’ve made a circle skirt before, but not by draping. I made a flat pattern using Elegant Musing’s Circle Skirt Sew-Along. I like how the act of draping a circle skirt actually makes me think about how to get the lengthwise, bias, and crosswise grain lines all hanging vertically together. It’s interesting thinking about where the grainlines might be on all the some-fraction-of-a-cirlce skirts I’ve made in the past (see my peplum for an example). Now I want to be more careful when I’m drafting skirts so I can better understand how my decisions are going to affect my final garment.
These final two pages (once again, click image to embiggen if desired) I have to show off from the book are the introduction to a six-page draping project designed around the orange halter-neck knit top the model is wearing on the right. It’s from Nanette Lepore’s Spring/Summer 2011 collection. And, it’s one of the many examples from this book that make it seem like a pattern can be made for anything from the runway, fashion magazine, or store window with just a bit of muslin, some pins and twill tape, and a nice dress form. The draping for this halter top is broken down into four steps, most of which have smallish sub-steps. Draping is followed by marking and truing, an additional two steps with sub-steps. With the pattern draped, marked, and trued, the next assignment is to analyze the pattern: compare it to its inspiration, think about stretch utilization, etc. Finally, the book pairs the top with a pair of pants draped in an earlier section (the very same pants shown above, and, yes, this book even shows you how to drape pants!), and Karolyn asks the reader to analyze the ensemble. I really like her tips here on garment coordination, proportion, detail, and movement, and I hope to start reminding myself of them daily as I’m picking out what to wear or planning my upcoming sewing projects.
I really want to get in and start one of the draping projects from Part I: Beginning Draping. The three draping projects in this section are Diana of Versaille’s garment, Audrey Hepburn’s dress in Breakfast at Tiffany’s, and a Christian Lacroix bustier. None will work with my baby bump right now, but all would be a great exercise in draping regardless. The first thing I need to do though is figure out if I can actually drape using my dress form.
A dress form is a requirement for this book. In the section on Tools and Preparation, the dress form is discussed before fabric is even introduced. All of the dress forms Karolyn uses in the book are Wolf Form Company forms. I’ve often searched on Craigslist to see if anyone my size just happens to be over sewing and looking to get rid of their Wolf form, but I’ve never had any luck. I’m not even sure how to know what size of form I need exactly since they come with numbers like 6, 8, and 10, not measurements. Since I have a dress form that I inherited from my Grandmother, I’ve never been able to justify buying a brand new fancy form. I’ve often wondered about making a dress form that would exactly match my shape (I think they have classes at the Sewing and Design School in Tacoma for just that, too!), but I’ll now have to wait quite a while before my own size stabilizes again. Until then, or until I can justify buying a fancy dress form, I’m hoping I can figure out how to pad out the one I have enough to define the bust, waist, and hip and support the pinning necessary for draping. Karolyn recommends padding out fancy forms with 5″ strips of cotton felt, so perhaps I can fill in the gaps between my dress form’s adjustable pieces and then wrap the whole thing in strips of cotton felt. What do you think? Could it possibly work?
I hope some of you are as excited about this book as I am. I think it would be fun to go through one of the draping projects as a community. A bunch of Bay Area bloggers just got together at a Britex Pop-Up event with Karolyn Kiisel herself and draped Audrey Hepburn’s dress in Breakfast at Tiffany’s. We could have our own little draping event, only ours would be virtual of course! If you are interested in getting the book, it will be released October 1st – just a few days away! But, if you can’t wait, you can pre-order Draping: The Complete Course right now for nearly 40% off the cover price. Yay for sales!